(Sökarna) – Oklippt 25-års jubileumsutgåva

Måns Månsson och Axel Peterséns Toppen av ingenting är uttagen i huvudtävlan till Berlins filmfestival. Toppen av ingenting är den första svenska filmen som blivit uttagen i stora tävlingssektionen på Berlin filmfestival sedan 2009. Efter ett liv i sus och dus och månatligt underhåll ärver Nojet, 68, en hyresfastighet av sin nyligen avlidne far. Det hon […]

”Runt omkring oss världen och vi i mitten, blinda.” Georges (Jean-Louis Trintignant) är gammal och livstrött och har lämnat över ansvaret för familjeföretaget till sin effektiva dotter Anne (Isabelle Huppert). Trettonåriga Eve tvingas flytta till sin pappa Thomas (Mathieu Kassovitz) när hennes mamma dör av oklara skäl. Med i familjen är även Annes son, som […]

Luca Guadagnino goes for something completely different after the tender and sun-drenched Call Me by Your Name, with a re-envisioning of Dario Argento’s 1977 classic horror. Suspiria sees Guadagnino reunite with serial collaborator Tilda Swinton (previously cast in I Am Love and A Bigger Splash), who plays the artistic director of a world-renowned dance company, with […]

Sarah Waters’s ghostly gothic novel is brought to life in a new film starring Domhnall Gleeson, Ruth Wilson and Charlotte Rampling. WWII has ended and Dr Faraday (Gleeson) has built a life of quiet respectability as a country doctor. During one hot summer he is called out to attend to a patient at Hundreds Hall. […]

In 1974, Barbet Schroeder went to Uganda to make a film about Idi Amin, the country’s ruthless, charismatic dictator. Three years into a murderous regime that would be responsible for the deaths of

Following hot on the heels of his recent Jackie, Pablo Larraín’s latest film is a stylised biopic of the Chilean poet, diplomat and politician. Beloved poet Pablo Neruda (Luis Gnecco) is also the most famous communist in post-WWII Chile. When the political tides shift, he is forced underground, with a perseverant police inspector (Gael García […]

Master filmmaker Raoul Peck envisions the book James Baldwin never finished, Remember This House. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words and

In the early 1960s, at the height of the British New Wave, director Tony Richardson and playwright John Osborne set out for more fanciful territory than the gritty realism of the movement they’d helped establish